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Weekend Duo
As promised, here are my thoughts on this weekend’s two not-screened-for-critics releases, Silent Hill (decent) and The Sentinel (atrocious). Silent Hill (Slant magazine) The Sentinel (Slant magazine)
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Back to Operational Speed
Somehow, despite being insanely busy for the past two weeks, I only have a few reviews to show for all my work. Strange. Anyway, here are my thoughts on an eclectic selection of films, the best of which is definitely this weekend’s Mongolian Ping Pong. In the Future: Down in the Valley (Slant magazine) Sketches…
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The Poseidon Adventure (1972): B-
As cheesy as some Velveeta-slathered movie theater nachos, The Poseidon Adventure may not have been producer Irwin Allen’s finest effort (that designation still goes to The Towering Inferno), but it’s nonetheless a noteworthy entry in that most goofy of ‘70s-era genres: the star-studded disaster flick. When the Poseidon luxury liner is turned upside-down by a…
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Japón (2002): A-
In Japón, an unnamed, middle-aged painter (Alejandro Ferretis) journeys to a remote Mexican canyon village to commit suicide, only to find his plans altered by his unexpected relationship with Ascen (Magdalena Flores), a devout elderly woman in whose mountain barn he stays. This rudimentary plot description, however, barely begins to convey the fascinating wonders and…
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Cat Chaser (1989): C
Abel Ferrara’s original three-hour cut of Cat Chaser apparently featured a naked Kelly McGillis having a gun stuck between her spread-eagled legs, merely one of many borderline-pornographic touches that caused the film’s producers to take the film away from Ferrara and cut it down to its current 90-minute DVD form. The result of such post-production…
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Fear City (1984): B
“Nobody’s clean,” says detective Al Wheeler (Billy Dee Williams, laying on the malt liquor charm) in Fear City, and as if to hammer home this central point about New Yorkers’ (and, by extension, mankind’s) scuzziness, director Abel Ferrara then has a teenage passerby say something to his friend about a woman and “two on one.”…
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Brick (2006): C+
Setting a noir-ish tale of murder, dames, and drugs in and around a So Cal high school might have sounded like an inspired idea on paper, but for all its authentic hardboiled dialogue and familiar crime film tropes, Rian Johnson’s Brick never really offers an adequate justification for its central genre-transplant conceit. On a quest…
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Head-On (2005): B
Sitcom farce, sexual violence and cross-cultural clashes all collide in Fatih Akin’s Head-On, an unconventional romance that’s ultimately more provocative than insightful. After deliberately running his car into a wall (to the sounds of Depeche Mode’s “I Feel You”), German Turk – and Bukowski-style bum – Cahit (Birol Ünel) finds himself in a psychiatric clinic,…
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Grinding It Out
It was one of those weeks – lots of movies watched, lost of reviews written, and almost nothing worth recommending. But if I’ve done my job, at least my negative reviews will provide you, loyal reader, with some Friday entertainment. In Theaters: Lucky Number Slevin (Slant magazine) The Benchwarmers (Slant magazine) Coming Soon: Herbie Hancock:…
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Neil Young: Heart of Gold (2006): A
An elegant companion piece to Jim Jarmusch’s scraggly Year of the Horse, Jonathan Demme’s Neil Young: Heart of Gold documents the rocker’s August 2005 performance at Nashville’s Ryman Auditorium during his tour for last year’s Prairie Wind (an album written while he awaited surgery to remedy a brain aneurysm). Split somewhat evenly between new tracks…
